Miles Davis ‘Band featuring ”John Scofield” Guitar solo

February 18, 2025

Squarepusher – Feed Me Weird Things (Full Album)

February 18, 2025

A good place to start with Squarepusher.

And before you think it’s all beat mashing, here are a couple of the most beautiful electronic tracks he has made (IMO):

Read the rest of this entry »

Louis Cole -Weird Part of the Night

February 18, 2025

Love me a bit of Louie….


Love Sick – Dylan vs The White Stripes

February 18, 2025

Good cover of Dylan’s classic. And here’s Dylan’s live version for comparison.


Billy Nasty Mix Tape 1994 – Sides 1 and 2

February 18, 2025

Ahh, the memories. The Castle, Galway. Billy Nasty was my first proper rave experience and a real eye opener at the time. This mix tape was doing the rounds afterwards and I played it endlessly, to it’s destruction. Great to to see it preserved, and still worth the listen.


Prince – Creep Live at Coachella 2008

February 18, 2025

Mesmerising re-work of the Radiohead classic with an brilliant final guitar solo.


Prince – Stratus Live at Montreaux 2009

February 18, 2025

Prince shredding on one of my all time favs.


The Lady Machine

February 18, 2025

Hands-down my favourite Techno DJ right now. Straight-up, no-nonsense mayhem. Have seen her play in clubs and she tears the house down. A seriously talented vinyl mixer. Never a disappointment.


Album #1: Waiting for the Quake

February 17, 2025

A hatful of rough cuts from live improvisations on a Modular Synthesizer, Mavrovouni, Greece, February 2025.

Raw output, no post-processing.


How to fix intonation problems on a fixed-bridge biscuit resonator guitar or: How I Learned to Stop Worrying and Love the Eastwood Airline Folkstar.

March 19, 2017

Hear ye, hear ye my tale of woe and redemption concerning the Eastwood Guitars Airline Folkstar.

So there I was lusting after a resonator guitar and came across this interesting specimen online, and found a shop that would sell it to me for a more than seemingly decent knock-down price.

Read the rest of this entry »

Billy Cobham & George Duke Band – Live At Montreux Jazz Festival (1976)

October 14, 2016

Billy Cobham & George Duke giving it welly. Hell yeah!


Using a Raspberry Pi as USB MIDI Host

February 8, 2016

Wheeeeeeeee! I have some money again, though not a lot of time, but I’m determined to finish and further expand the projects I started with such gusto last year.

Both the Tempest and FS1r are blurred memories, and I’ve been getting my kicks, whenever possible, with a Monomachine/Blofeld Combo.

The great thing about this pairing is that I can sequence 6 channels of Blofeld multimode goodness alongside 5 Monomachine tracks, with the 6th track acting as the FX machine for the Blofeld, which is routed back through the MnM inputs. A nice, self contained, and gloriously digital setup. Did I mention that MnM does killer drum synthesis?

RPi_USB_MIDI_Host_MnM

On the the MnM it is possible to input chords using an external MIDI keyboard for the Arps and external sequencing.

I have an cheapo Akai LPK USB mid keyboard that would make a nice compliment to this mini setup. But MnM only accepts 5-pin DIN MIDI. One existing option is the Kenton USB MIDI Host, but that goes for over 100 euro.

I got to thinking that I could use my similarly-abandoned and superseded Raspberry Pi 1, and a MIDI 1×1 USB MIDI cable that never got used because it kept causing bluescreens on my Windows PC. What if I could use the Pi to route the output of the LPK through the 1×1?

Well yes, it’s possible, works perfectly, and is really easy to get running.

Any flavour of linux will do, in my case I’m using a Raspberry Pi v1 with an optimised Raspbian Wheezy image I downloaded from here. I’ve also got this to work on a Rpi2 using the official Ubuntu ARMv7 distro.
The instructions for both are the same.

EDIT: Georgios Says:

By the way, on the latest raspbian, it works out of the box. No need to install anything 🙂

Obviously, with only 2 USB ports on the Pi v1, there is no room for wireless, so I needed to login over ethernet.

Once a command prompt is available, it’s a matter of installing Alsa:

sudo apt-get install alsa alsa-utils

Now connect the *class compliant* MIDI devices, in my case the Akai LPK25 and E-mu USB MIDI 1×1.

To show all connected MIDI devices:

sudo amidi -l

Show connection status and port numbers of connected MIDI devices

sudo aconnect -i -o

Look for the device ID, which is in the format x:0. In my case, the LPK25 was 20:0 and the Emu 1×1 was 16:0. So to connect the output of the LPK to the output of the Emu, just go:

sudo aconnect 20:0 16:0

…and voila! Works a treat here, no latency and I’ve sent boatloads of MIDI through it.

To dump all midi message to the screen,
sudo amidi -d

Naturally, we will want this connection to happen automatically every time we start the Pi. Of the several ways to do this, I opted for the laziest, which was to make a root crontab.
If you’re not root already,

sudo su
crontab -e

at the end of the file, enter the aconnect command that works for you to run at reboot, e.g.

@reboot aconnect 20:0 16:0

🙂


Bjorklund: First Session – Simple Rhythms

November 11, 2014

Here’s Bjorklund. He’s been dropped, stood-on and attacked by cats, yet survives. I was pissed drunk when I made this but hopefully it will provide a first inkling of the little fella’s potential:

Blurb:

Euclid’s algorithm (circa 300 BC) describes a method for computing the greatest common divisor (GCD) of two integers. It is one of the oldest numerical algorithms still in common use.

In 2003 Eric Bjorklund extended the Euclidean algorithm to address timing issues in Neutron Accelerators. He wanted to solve the following problem:

‘distribute n pulses over m “timing slots” in the most even way possible, even though n may not necessarily be an even divisor of m.’

See: https://ics-web.sns.ornl.gov/timing/Rep-Rate%20Tech%20Note.pdf

In 2004, Godfried Toussaint demonstrated that the resulting binary patterns mirrored many familiar ostinatos (repeating rhythmic phrases) heard in diverse range of musical styles.
African rhythms are well represented and, naturally, have since appeared in South American music, modern jazz, pop, rock and dance.

See: http://aatpm.com/banff.pdf

Bjorklund is a Bjorklundean sequencer.

8 independent tracks, each with their own:

– Tracklength of 1- 64 steps
– 1-64 Pulses, feeding into the algorithm.
– Full control over current playback position (rotation).
– Clock dividers (Whole note to 1/32 ).
– Solo/Mute.
– Velocity.
– Random Velocity offset – Humanisation (+/-)
– Accented notes every 1-16 steps (max velocity)
– Assignable MIDI Note.
– Assignable MIDI Channel.
– Randomization per track or all tracks.

Fine control over Master BPM (+/- 3, 1, 0.1).

Next version will bump-up to Teensy 3.1 and will feature…
USB MIDI
Performance Controls
Groove – Tick Quantization and Tick shift
Extensive preset management and fast switching
Track groupings
Touchstrip
Proximity sensors/D-beam
Tap Tempo

Apologies for the shitty video quality. But does it matter?


Bjorklund: Hardware Notes

November 1, 2014

I’ve got the beer on ice, so tonight I will make a video demonstration of the finished item, and it has far surpassed my expectations! 🙂

Some quick snippets…

But first, here’s a catch-up on construction and materials used. Rather than explain in minute detail each step, I will for now just point to the resources that provided the most direct and useful information. They are the nuggets gleaned from numerous trawls through crappy/broken code and bad schematics. :/

I keep the power supply on a separate board. It’s a common diode-protected, RC filtered 5v regulated design…

MIDI output is easy-peasy…(but remember to map the pins of the ATMega)

The LED matrices are just too big for the breadboard, so I propped-them up on stackable headers to allow me access to the pins. I’m using 2 x MAX7219 driver chips. Connecting these to the ATMega and to each other was a breeze, however wiring the matrices themselves was a little tricky. I mostly followed the instructions here, however this wiring was not correct for my particular LED matrix (common cathode – from Tayda). I found the wiring diagram here to work for me.

bjorklund_view1

The encoders were connected and via the MCP23017 I/O port expander. I got these encoders from Reichelt – they are quite stiff and they have been problematic.

bjorklund_encoders

Firstly they wouldn’t stay on the breadboard (legs too short!) so I made a breakout. Those funny protrustions are my attempt at hardware ‘debouncing’. I soldered sockets to the pins so that I could experiment with different capacitor values. In the end, 100n capacitors connected between each pin and common ground were best, although the encoders were still somewhat jumpy. I used a healthy dose of contact cleaner on each and this helped significantly. These encoders need to be ‘broken-in’.

In the code I am polling these controls according to this helpful post. This works well but is quite the resource drain. To circumvent this I tried using interrupts, however they proved even more problematic because they were detecting even the slightest tap of the encoders. Also, setting-up interrupts via the MCP23017 is no trivial task. I managed to fry two chips for my troubles. Interrupts are for another day….

In the next version I will abandon the mechanical encoders in favour of optical. I think the additional cost will be more than compensated by time spent, in frustration, fixing a problem that is beyond my control.

Finally there is a RGB LED which provides instant access to 7 colours as menu indicators. I’ve coded a state machine that allows me to turn 4 encoders into 40 controls, depending on what sequence of buttons is pressed. The mode is indicated by the single-or-mixed colours of the RGB. Thus there is always a clear visual indication of which menu is currently in use.

bjorklund_view2

Overall, a fairly small parts count, easily obtained. Here is the Bill of Materials and sources:

Main Board:
1 x ATMega 328-PU
1 x 16MHz Quartz Crystal
2 x 22n Ceramic Capacitors
3 x 47K Resistors
1 x MCP23017 I/O Port Expander
2 x 8×8 Dot Matrix LED display – Common Cathode
2 x MAX7219 LED Display Drivers (Tayda’s are much cheaper, but apparently counterfeit. They work!)
4 x 24/24 Encoders (optical would be sooo much nicer)
10 x 100n Ceramic Capacitors
2 x 10uf Electrolytic Capacitors
1 x RGB LED 5mm Common Anode
3 x 220 Ohm Resistors
1 x 27K Resistor
Lots of jumper wire!

MIDI Output:
1 x MID DIN Socket
1 x 220 Ohm resistor

When I finish the code I will publish it, along with a proper schematic (hey, I’m still learning).


Bjorklund: The Algorithm in C

October 18, 2014

Read it and weep. I know I am 😛

EDIT (2025): My code is long deprecated and has been greatly improved by Sergio Castro:

#!c++

std::string bjorklund(int beats, int steps)
{
    //We can only have as many beats as we have steps (0 <= beats <= steps)
    if (beats > steps)
        beats = steps;

    //Each iteration is a process of pairing strings X and Y and the remainder from the pairings
    //X will hold the "dominant" pair (the pair that there are more of)
    std::string x = "1";
    int x_amount = beats;

    std::string y = "0";
    int y_amount = steps - beats;

    do
    {
        //Placeholder variables
        int x_temp = x_amount;
        int y_temp = y_amount;
        std::string y_copy = y;

        //Check which is the dominant pair 
        if (x_temp >= y_temp)
        {
            //Set the new number of pairs for X and Y
            x_amount = y_temp;
            y_amount = x_temp - y_temp;

            //The previous dominant pair becomes the new non dominant pair
            y = x;
        }
        else
        {
            x_amount = x_temp;
            y_amount = y_temp - x_temp;
        }

        //Create the new dominant pair by combining the previous pairs
        x = x + y_copy;
    } while (x_amount > 1 && y_amount > 1);//iterate as long as the non dominant pair can be paired (if there is 1 Y left, all we can do is pair it with however many Xs are left, so we're done)

    //By this point, we have strings X and Y formed through a series of pairings of the initial strings "1" and "0"
    //X is the final dominant pair and Y is the second to last dominant pair
    std::string rhythm;
    for (int i = 1; i <= x_amount; i++)
        rhythm += x;
    for (int i = 1; i <= y_amount; i++)
        rhythm += y;
    return rhythm;
}

This was the most challenging piece of code to date. Outwardly simple, and with many existing examples in other languages, not to mention the C code example in Bjorklund’s paper, it should have been a doddle to implement on the Arduino, right?

But no. I realised the big downside to using the AVRISP: no access to the serial interface, which makes debugging impossible. Thankfully I could use the Teensy 3.1 to test my Code. But this in itself brought heartache, as there were some library conflicts with Teensyarduino. A troubling story to be sure, but In brief, I battled through ’til dawn and eventually cracked the bastard.

My overriding concern was – how much of the ATmega’s CPU time would be taken-up by using recursive function? I would have expected this to be a resource hog, and I worried that it wouldn’t handle 8 tracks simultaneously, slowing everything down. I’m happy with the current state of the MIDI clock (99.98% accurate), and this was something I didn’t want to compromise. I also witnessed some talk on the forums about Arduino’s limited stack size.

In the end, performance wildly exceeded my expectations. See the example outputs below.

Note that I have reversed the order or the patterns in alignment with the examples in Toussaint’s paper. See chapter 4 for many more examples. An interesting read for sure.

In the end, the pattern directions don’t matter, because I’ve implemented track rotation and track reverse in the main application. So…

For 8 steps and 3 pulses, the pattern is:
10010010

Bjorklund took 8.00 microseconds.

Cuban tresillo / Habanera rhythm. “It can often be heard in early rock-and-roll hits in the left-hand patterns of the piano, or played on the string bass or saxophone. A good example is the bass rhythm in Elvis Presley’s Hound Dog.

The tresillo pattern is also found widely in West African traditional music. For example, it is played on the atoke bell in the Sohu, an Ewe dance from Ghana. The tresillo can also be recognized as the first bar of the ubiquitous two-bar clave Son given by [x . . x . . x . . . x . x . . .].

For 8 steps and 5 pulses, the pattern is:
01101101

Bjorklund took 10.00 microseconds.

Cuban cinquillo. Used extensively in jazz, 50’s rockabilly and West African traditional music. e.g hand-clapping pattern ‘Hound Dog’.

For 12 steps and 4 pulses, the pattern is:
100100100100

Bjorklund took 10.00 microseconds.

The 12/8-time Fandango clapping pattern. (I know, I know)

For 3 steps and 2 pulses, the pattern is:
011

Bjorklund took 5.00 microseconds.

E(2,3) = [x . x] is a common Afro-Cuban drum pattern. For example, it is the conga rhythm of the (6/8)-time Swing Tumbao. It is also common in Latin American music, as for example in the Cueca.

Lastly, a silly example to check performance again:

For 83 steps and 56 pulses, the pattern is:
01110110110110110110110110110110110110110111011011011011011011011011011011011011011

Bjorklund took 63.00 microseconds.

IMG_4240

This is going to be damn sweet.
🙂


Bjorklund: It lives!

October 16, 2014

I’m usually the one to grumble when I come across all those meaningless, grubby 20-second videos on Youtube. But today I’m adding my own. What the hell.

Here is Bjorklund just come to life:

At this moment I have a tight MIDI clock running on the ATMega328 at 24ppqn, with the option to go to a higher resolution if and when I trade-up to a better processor(Teensy 3.1 here I come!).

The 4 encoders and buttons are multiplexed using a single MCP2317, and the LED matrices are driven by 2 MAX7219s (both apparently counterfeit but working perfectly).

What you see are the available tempo divisions from slowest (each quarter note) to fastest (each MIDI tick) flashing across the screen.

I’ve come-up with an elegant way to deal with the note queues, rotation and sending MIDI. I can send notes on 8 tracks, remaining stable to master BPM of >300.  All Looking good so far!

All that’s left to do is implement Bjorklund’s algorithm and feed it’s output to the note queue.

Then finally the controls/menu system and that’s it! It’s all optimization from there. It seems the most challenging part is documenting the process, but I’m gathering my notes…

🙂


Bjorklund: Breadboarding an Euclidean sequencer using Arduino / Sanguino with AVRISPmkii in Win7 and Linux.

September 29, 2014

I should be wiring-up the 4x4pole, but here I am fiddling with breadboards. Suddenly got it into my head that I must build an Euclidean Rhythm based MIDI/CV sequencer. Bjorklund’s algorithm will be used:

The problem reduces to the following: construct a binary sequence of n bits with k one’ s, such that the k one’ s are distributed as evenly as possible among the zero’ s. If k divides evenly (without remainder) into n, then the solution is obvious. For example, if n = 16 and k = 4, the solution is [1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0]. The problem of primary interest is when k and n are relatively prime numbers [23], i.e., when k and n are evenly divisible only by 1.

Toussaint discovered (only in 2004!) that the resulting patterns of spaced pulses often represent the rhythms of many word music styles. This presents a simple way to generate new and interesting drum patterns.

There are already other Euclidean generators out there, and even one in the MIDIbix Seq4, but I have my own nascent ideas, even if I only a little knowledge on how to implement them. Another distraction! 🙂

The logical conclusion to this effort should be a PCB for a unit that can act as a standalone MIDI/CV sequencer in a box, and one that is small enough to be integrated into a Eurorack setup. After some research I decided to start with Arduino. It comes with MDI libraries as standard, and already there are lots of interesting projects out there to reference.

In keeping with the DIY philosophy, I forewent the purchase of an Arduino board and instead opted to set-up a development environment using ATmega microcontroller and the Arduino libraries: – essentially to create an Arduino clone on a breadboard.

I am using the ‘standard’ Arduino chip – the ATmega328p (used in the MIDpal). As I had a spare ATmega644 (used in the Shruthi-1), I decided to breadboard it as well. The 644 is not officially supported by Arduino, however there is an Arduino-compatible bootloader called Sanguino.

IMG_4218

There is plenty of information out there on how to breadboard these chips. The most useful video I found was this one from Notes and Volts, which helped me setup the 328p in no time.

In the process, the concept and function of the pins became clear, and I could easily map the ATmega pins to their Arduino equivalents using the following diagram:

atmega328-pinout

For the 644 I used this reference and this pinout diagram:

atmega644-pinout

Once hooked-up, I needed a way to program the chips. Fortuitously I had an Atmel AVRISPmkii to hand. I bought this to program my Shruthi chips and used it for all of 5 minutes a few years ago.

avrispmkii

There are some issues to watch out for when using the AVRIPSMKii with Arduino:

  • The various sources I referenced all used a 10K pull-up resistor on the reset pin, however for the AVRISPMkii to work properly, this pull-up resistor must not have a value higher that 4.7KOhm. See P26 of this document.
  • In Win7, the Atmel USB driver conflicts with the Arduino IDE. A different driver must be installed. Full details here.
  • On Linux, the toolchain and associated libraries need to be installed. Further, to get the Arduino IDE working, the correct USB device permissions must be set specifically for the AVRISPMKii. This is achieved by updatinbg the UDEV rules. See P12 of this document. Note: I had to use ATTR{idProduct} instead of SYSFS{idProduct}.
  • If using avrdude we must always specify that we are using the the port (-P usb). See the tutorial here.
  • A green status LED on AVR indicates that connections are good. With the AVRISP, the board MUST be separately powered (5v) in order for the AVR to detect and program the chip.

OK, so after overcoming the AVRISP driver issues, the next task was to set the fuses and install the Arduino boatloader onto the virgin chips. This requires hooking-up the AVRISP to the correct Arduino/Sanguino Pins. Referencing the pinout diagrams above, making the connections is an easy task, but one that must be approached slowly.

Referencing the AVRISPmkii pinouts:

avrispmkii_pinout

Just to be clear, this is pin 1:

IMG_4210

I made a little breadboard adaptor for it…

IMG_4176

IMG_4178

Ending-up with something like this:

IMG_4197

After triple-checking the connections, I fired-up Arduino IDE. After many failed attempts, I was still not able to bootload the damn things. Attempts at querying with avrdude always returned the following error:

avrdude: Device signature = 0x000000
avrdude: Yikes! Invalid device signature.
Double check connections and try again, or use -F to override
this check.

A web trawl suggested that this was due to the crystal not oscillating. Switching-out the crystal and trying instead a 16Mhz resonator returned the same error.

As it turned out, the default avrdude transfer speed is too fast for the virgin chips, therefore it’s necessary to adjust the baudrate (-B option in avrdude) to allow the initial communication. I didn’t realise this until after I solved it, and this was the problem that soaked-up most of my troubleshooting time. Bah!

The desperate answer in my case was to install Atmel AVR studio 6.2 – an overly torturous and bloated product (1.5Gb install), but one that bore immediate results when following this blog post.

Later, I realised that I could have done this much more quickly with Linux, and without the need for that massive Atmel install. Here are the required commands (Ubuntu).

Now fire-up Arduino IDE. No serial port is recognized on the AVRISPMKii, therefore trying to upload a sketch will return a ‘no Com port‘ error. It took me a few minutes to figure-out that you must instead ‘Upload using Programmer’ i.e press shift when sending the sketch (or just  cntrl-Shift-U). Also, it’s important to ensure you are uploading to the correct board type in the Arduino IDE (Arduino UNO vs Sanguin 644).

I attached a MIDI out port and an LCD, loaded-up a simple MIDI sketch to test it.

IMG_4206

It worked first time. A great start!

Next steps will be to wire-up some pots and buttons, and start writing the code.


4x4pole: I dream of wobbly resonance.

September 8, 2014

2013 started brilliantly, let there be no doubt. By April, my newly found obsession with DIY synthesisers reached a peak, and a small pile of worthy project PCBs was collected. Then work took over. For a year.

There were times during that winter of DIY-lessness that I looked forlornly, hopelessly, at the cardboard boxes of fresh components, and the half-built units soaking-up dust on the shelf.

Whilst unable to actually build, dreams of what was possible prevented me from going mad, and I spent my spare moments planning, plotting, scheming for the day I would wield the soldering iron again. 

Now that that day has come I can reveal the outcomes of my lengthy pause for cogitation:

The original plan  for the 4x4Pole Mission was to house the 4 voices together with a scavenged Fatar keybed. Many panel designs were drawn-up, with this being the final iteration in that direction (click to view).

The problems with this setup soon became obvious:

  • Originally I was to cut the 79cm panel in 5mm thick Acrylic, however the panel would likely still flex during use. Not ideal.
  • The positioning of the screens and controls was too dispersed. If possible, I wanted to be able to see all screens at once, and I tried grouping them together, but still without satisfactory results.
  • Since I was going to all this trouble to mount a keybed, why should I restrict it’s use to just one synth?

In the end, I went for a compromise solution – but one I am very pleased with:

  • The keyboard/MKE and UC16 now become a master controller, with in-built MIDIpal, a 3mm anodized aluminium faceplate, and joysticks!
  • The 4×4 Pole is racked on a 4U 19″ Aluminium Panel, and with (wait for it…) more joysticks!

The redesign went much faster now that I had a clear idea of the endpoints. The alumium faceplates were quickly designed in FPD and sent to be cut by SchaefferAG.

I was very pleased with the results – with one minor niggle: I only used 2mm Aluminium for the Rack faceplate, meaning that there is some flex. This is fixable, but I should have used 3mm aluminium, similar to the keyboard panel, which has no flex at all. Oh well, you live and you learn.

Must say though, the anodized panels turned-out way sexy-looking. Victory candy included!

No excuses now….and no time to waste….

In my last post – a full 18 months ago! – I ravaged my poor old Evolution UC16 MIDI controller to prepare it for the installation of panel-mounted pots. In the intervening period the assaulted PCB eyelets gave-up hope and fell off, leaving me with a considerable amount of microsurgery to get the board working again.

 

Not pretty, but perfectly functional. Liberal amounts of hot glue and some PCB varnish should give it a few years of extended life.

Once that was done it was a matter of mounting the boards and wiring-up. Time-consuming but largely trouble-free.

 

Colourful though….

 

So, the keyboard components have been tested and all work together. MIDI is internally wired from UC16 > MKE > MIDpal > out. Initial tests show this to be a stunning combo. The MIDIpal rules!

All I need now are the side and back panels. I know what I want, I just can’t afford the additional cost right now (about 70 euro). However, this is no problem because the 4x4pole is quickly coming together. As of last night, all boards were working as expected, the filters have been tuned, and the sound of awesomeness is in the air.

Just the wiring to go…..

 

in 3 or 4 days I should be there.


Shruthi-1 SMR4 MkII – NoisyLittleBugger Edition

August 19, 2014

Hooray!

It’s finally here: NLB’s special edition modded Shruthi-1 SMR4 mkII.

Mods:

  • 2/4 pole filter toggle switch
  • Bandpass 1/3 3-way switch
  • Filter Feedback FM toggle switch
  • Audio input routing switch – normal vs FM modulator
  • Filter FM Feedback amount pot
  • VCA overdrive pot
  • UFO Balcklight mod
  • Audio input and output volume pots.
  • OLED
  • Styroflex capacitors
  • Suitable clothes!

Check here for details of the joystick mods… here for the filter mods……and here for the drive mod.

Here is the SVG file for the case (right-click to download). 

Many thanks to Mutable Instruments and the community.


Grace Jones – Nipple To The Bottle

April 25, 2014

Because we can…

April 6, 2014

Colours of noise


Removing the spring from Gamepad Joysticks

February 2, 2014

To satisfy a couple of requests, I made this little vid to demonstrate non-destructive removal of the spring from standard gamepad joysticks (Xbox 360, PS3, Logitech, etc.).

If you don’t have a nephew’s games closet to raid, you can always buy the joysticks. This is my source. Tell Uwe I sent you.

Here’s where I show how to wire-them to the CV inputs of a Shruthi-1.

Back and building with vengeance…


The unaimed arrow never misses…

January 30, 2014

nlb_teaser

Coming soon…

😛


New Drums:Yamaha RM50

June 16, 2013

This is the 1U rack version of the RY30. Release year: 1992 (manufactured from 1992 to 1995).

I’ve been eyeing them for quite a while and always thought I should pounce if one became locally available. Then two came along at once, and at 100euro per unit I had to get both.

IMG_2148

Even without any expansion cards, for a 20-year old module it’s sounding great, with a small set of high-quality drum samples on-board. There’s a limited but interesting drum-focused synth engine. Pitched synth sounds are also facilitated, with basic but functional parameters to edit. No crazy pads here, but definitely usable for bass work – there’s a satisfying low-end.

The 64 factory kits are OK, if a little too generic. Although there are not many basic samples, the preset sounds demonstrate what is possible. My interest is creating custom kits. There are 128 slots for user-created sounds using the on-board and imported RAM waveforms. More than enough.
Each drum sound can be made-up of two ‘Voices’. Each Voice in turn contains 2 ‘Elements’, which consist of one drum sample and and it’s synth engine.

The synth engine is simplicity itself. There’s a very basic pitch envelope generator, an amp envelope, resonant low-pass and non-resonant high-pass filters ( (12 and 24dB), and LFO for pitch, cutoff and amp modulation.

The MIDI delay effect allows the first note to be switched-off, leaving only the repeats. Looks interesting, especially for glitchy/granular effects. Finally, there’s good control over velocity sensitivity, where volume, pitch, cuttoff and decay can be set to different values.

CC assignments are basic – 6 fixed parameters can be assigned for real-time control at kit level. The CC assignment can be switched off per sound, so there is some flexibility.

No internal FX, however some samples have reverb built-in, and this can be gated. Nothing fancy, but the sounds do seem to fit together, making it sound nicely cohesive out-of-the-box. The compactness of the 1u RM50 is also strongly appealing, though it is bloody heavy.

Deep editing with only the front-panel buttons may seem a challenge, but I’ve found it surprisingly intuitive and straightforward.
There’s also a cross-platform patch editor. Simple, but does the job – except no MIDI input under Windows.

Thankfully there are Headphone outputs. Until I get a proper soundcard I can’t record any clips, but soon….

Other nice things:
+ Each drum sound has two separately-editable voices or ‘Elements’ that can be mixed using the balance control which, mapped to CCs provide for morphing kits!
+ Handles heavy MIDI streams.
+ Deep velocity sensing options for dynamic kits.
+ Reversible samples.
+ Audio Trigger inputs = modular fun!

Peremptory niggles:
– CC control at kit level only, and only 5 fixed parameters. But selectable per voice.
– No real-time pitch change except via EG, which is rather basic.
– No sample start adjustments, however there’s a unique delay control per Element which looks good for glitchy sounds.
– No LFO to pan. Voice outputs are mono anyway.
– No noise samples, and a shortage of Hihats, however…

Lucky for me, one unit unit came with additional wave sample ram already installed, which allows me to upload 512k of my own samples. Not too shabby.

There is also a third-party expansion module available, but I think I’ll have enough in one.

I’ve already uploaded some Goldbaby samples via the MIDI port using Elektron’s C6 sysex manager. Easy.

A scanned manual is available, in three parts:
Part1
Part2
Part3

Overall, I am very pleased with these acquisitions. I was going to build both the Sonic Potions LXR and the TR8060, but I simply don’t have enough time recently, and it’s beyond time I stopped farting around and got serious about recording for a change.

Firmware check
– Switch off RM50
– Press and hold PLAY + MACRO + SOUND while pressing the Power On button

Factory Reset:
– Hold play + utility buttons when powering-on

Battery:
3V lithium backup battery (CR2450)

Full specs:
– 16-bit AWM2 (48 kHz sampling frequency) with digital filter 22-bit linear D/A converter
– Layering 2 elements/voices, 2 voices/notes
– Polyphony 16
– Voices 500 preset + 500 variation + 100 user; optional Wave Card: 32 user (x3); optional Data Card: 500 variation + 100 user
-Rhythm Kits Internal: 64 preset + 64 user; optional Data Card: 64 user
– Operation Modes Multi Play mode, Multi Edit mode, Voice Edit mode, Utility mode
– Trigger inputs!
– MIDI Parameters Program change mode selection; Program change table; Control change settings; Control change assignment; Remote mode selection
– Displays Multi-function 48-character LCD; Edit LED (red); MIDI received LED (red)
– Expansion Slots External wave card slot (x3); External data card slot; Internal expansion memory board slot
– Connectors Headphones, Line out L/MONO & R, Individual line out (x6), MIDI IN, OUT, THRU
– Power 120/220 V, 14
– (W x H x D) 480mm x 44mm x 347mm (D); 18 7/8” x 1 3/4” x 13 5/8”
Release year: 1992 (manufactured from 1992 to 1995)


Twinky 2007-2013 RIP

May 28, 2013

IMG_0102

 

She was a good friend.